nightswimming is a meditation on connection and transience through the vulnerability of the subject. In the night, with the sea, through time; the images are intimate glimpses through glitch and grain of fleeting intimacy and the unspoken awareness of the human experience.

 
 
 
 
 
 

nightswimming is a body of work that explores the impermanence of connection through the vulnerability of the subject. The photographs, taken in the sea at the night, are intimate glimpses through glitch and grain of the unspoken awareness of the human experience.

The sea is unapologetically symbolic of transformation, cleansing, & revival. With exposures between 10 to 15 seconds long, it allowed ample time and space to not only transfix a moment, but to notice a feeling, sensation, or uncomfortable notion manifested into some movement otherwise unprovoked or missed if for a faster shutter.

But with all technicalities aside; the subjects were chosen through intuition - a non specific antennae… a point of recognition. Ultimately each subject was found in the midst of a significant shift in their lives. The falling in love or out of, moving, arriving, deciding, quitting… fundamental in my choosing them because it was mirroring my experience too. What became even more important was their trust in myself as both a human and as the photographer. Without that trust, then there would not have been space for vulnerability and openness. Without that connection and allowance, these images could not exist.

 
 

installation shots:

 
 
 
 
 
 
 
 
 

Stephen Klipp

These lightboxes were designed and built by Stephen Klipp, an artist, musician, and skilled carpenter based in Greenport, NY.

*INSTAGRAM*

 
 
 
 
 
 
 
 
 

displayed works

available for purchase + price upon request

  1. narrow river road, nightswimming, 2019
    [In Lightbox •Mahogany Frame, Silicon, Polycarbonate Print on Plexi]

5. fourth street beach, nightswimming, 2019
[In Lightbox •Mahogany Frame, Silicon, Polycarbonate Print on Plexi]

9. stirling basin, nightswimming, 2019
[In Lightbox •Mahogany Frame, Silicon, Polycarbonate Print on Plexi]

10. in the sound, nightswimming, 2019
[In Lightbox •Mahogany Frame, Silicon, Polycarbonate Print on Plexi]

17. off eagle point, nightswimming, 2022
[Polycarbonate Print • Lightbox Built Upon Commission]

13. looking out, nightswimming, 2019
[Polycarbonate Print on Plexi • Lightbox Built Upon Commission]

2. off inlet pond, nightswimming, 2019
[In Lightbox •Mahogany Frame, Silicon, Polycarbonate Print on Plexi]

4. down youngs rd, nightswimming, 2019
[In Lightbox •Mahogany Frame, Silicon, Polycarbonate Print on Plexi]

6. the bay down south harbor road, nightswimming, 2019?
[In Lightbox •Mahogany Frame, Silicon, Polycarbonate Print on Plexi]

12. bay avenue dock, nightswimming, 2019
[In Lightbox •Mahogany Frame, Silicon, Polycarbonate Print on Plexi]

11. rocky point road, nightswimming, 2019
[Polycarbonate Print on Plexi • Lightbox Built Upon Commission]

14. the wrackline, nightswimming, 2019
[In Lightbox •Mahogany Frame, Silicon, Polycarbonate Print on Plexi]

3. off gull pond, nightswimming, 2020
[In Lightbox •Mahogany Frame, Silicon, Polycarbonate Print on Plexi]

7. harbor road, nightswimming, 2019
[Polycarbonate Print on Plexi • Lightbox Built on Commission]

8. el muelle de san blas, nightswimming, 2019
[In Lightbox •Mahogany Frame, Silicon, Polycarbonate Print on Plexi]

15. in the reeds, nightswimming, 2022
[Polycarbonate Print • Lightbox Built Upon Commission]

16. in the marsh, nightswimming, 2022
[Polycarbonate Print • Lightbox Built Upon Commission]

15. widow’s hole, nightswimming, 2023
[Available Upon Commission]

 
 

a wonky slo/mo walk-through of the fourth nightswimming installation on saturday november 12th, 2022 at matchbook distilling co. in greenport.

si tu supieras compañero + rosalia

 

Words from “Herencía y Hogar: Latin American Artists of the East End,” group show at the Floyd Memorial Library.

 

"Why would I show you images of my family's stomping grounds or my hella' brown skin when I can show you a real interiority that stems from my own rootlessness and diaspora? That is my inheritance from a heritage rooted in imperialism. If it were the other way around, you would see the same thing - rootlessness - because those images would have come from the same place from which I've confronted the world. How else do you consider connection and transience without considering disconnection or rootlessness? 

'Where' the water is doesn't matter - the water is my heart. The North Fork is my reimagining. This work was made by me, who is LatinAm, Latina, Latinx & etc; and you are reading this inside of a building built on bricks brought over from England and built by the son of one of the founding fathers of the United States, the ultimate imperial experiment. You are looking. And that, by itself, is radical."

"Para que les muestro imágenes del barrio de mi familia o mi piel morena cuando les puedo mostrar una interioridad que nace de mi propio desentierro y diáspora? Esa es mi herencia de un patrimonio con raíces en el imperialismo. Si fuera al contrario, vería lo mismo - desplazamiento - porque esas imágenes hubieran nacido del mismo lugar y posición de donde yo me enfrento al mundo. Como pudiese considerar conexión y la impermanencia sin también considerar la desconexión y desenlace de vínculos?


'El donde' del mar no importa. El mar es mi corazón. Y esta isla del North Fork es de mi reinvención. Este labor fue creada por mi quien es Latina Americana, Latina, Latinx y etc; y usted esta leyendo esto dentro de un edificio construido con ladrillos traídos de Inglaterra por el hijo de uno de los fundadores de los Estados Unidos, el ejemplo definitivo del experimento imperialista. Usted está acá, mirando. Eso, por si solo, es radical.”